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home·artworks·Frühes Selbstbildnis
Frühes Selbstbildnis by Albin Egger-Lienz

plate no. 3255

Frühes Selbstbildnis

Albin Egger-Lienz, 1884

oilRealismself-portraitportraitself-portraitfaceheadfigurehair
some experience helpful

This drawing is a good exercise in understanding value and form using a limited palette. Students will learn to build up tone gradually and create depth through subtle shifts in value.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head and facial features, paying attention to proportions.

  2. step 02

    Establish the darkest areas of the hair and background with broad strokes.

  3. step 03

    Begin layering in mid-tones on the face, focusing on the areas in shadow.

  4. step 04

    Use a blending stump or soft cloth to smooth out the tones and create subtle gradations.

  5. step 05

    Define the features with sharper lines and darker values, especially around the eyes and mouth.

  6. step 06

    Add highlights to the forehead, nose, and cheeks to create a sense of volume.

  7. step 07

    Refine the background by adding more layers of tone and texture.

  8. step 08

    Make final adjustments to the values and details to achieve a cohesive and realistic portrait.

color palette

primary · sepia · white

secondary · none

Varying the pressure and layering of sepia creates the different values. White is used sparingly for highlights.

techniques

  • ·hatching
  • ·cross-hatching
  • ·blending
  • ·value shading
  • ·contour drawing

common pitfalls

  • →Overworking the drawing and losing the freshness of the initial sketch.
  • →Creating harsh lines and transitions instead of smooth gradations.
  • →Failing to accurately capture the proportions of the face.
  • →Not paying attention to the direction of light and shadow.

materials

surface · toned paper

required

  • ·toned paper
  • ·sepia pencil
  • ·white chalk or pencil
  • ·kneaded eraser
  • ·blending stump
  • ·fixative spray

optional

  • ·ruler
  • ·grid for proportions

Choose a toned paper that is slightly darker than the lightest areas of the drawing. A smooth paper will be easier to blend on.

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oil painting for beginners →how to learn by studying the masters →
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