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home·artworks·Four Figures at Table
Four Figures at Table by Le Nain brothers

plate no. 0834

Four Figures at Table

Le Nain brothers, 1635

oil, canvasBaroquegenre paintingfigurestableinteriorclothingfoodfamily
some experience helpful

Recreating this painting will help students understand chiaroscuro and how to model forms using light and shadow. It also provides practice in painting realistic figures and drapery.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the table.

  2. step 02

    Establish the darkest areas of the painting with a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of light on the figures and the tablecloth, using mid-tones.

  4. step 04

    Begin to refine the forms of the figures, paying close attention to the way the light falls on their faces and clothing.

  5. step 05

    Develop the details of the tablecloth, creating folds and highlights to suggest its texture.

  6. step 06

    Add details to the background, keeping it dark and indistinct to emphasize the figures.

  7. step 07

    Refine the highlights and shadows throughout the painting, creating a sense of depth and realism.

  8. step 08

    Add final details and glazes to unify the painting and enhance the colors.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · burnt sienna · Prussian blue

Mix various shades of brown and gray by combining the primary colors. Use white to create highlights and dilute colors for glazes. A touch of blue can cool down the browns.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·portraiture

common pitfalls

  • →Failing to establish a strong value range, resulting in a flat or muddy painting.
  • →Overworking the details too early, before establishing the overall composition and values.
  • →Not paying enough attention to the proportions and anatomy of the figures.
  • →Getting the folds of the drapery wrong, making the tablecloth look unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use a canvas with a smooth surface for easier blending. Consider using a toned ground to help establish the values.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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