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home·artworks·Fountain of the Virgin Mary in Nazareth
Fountain of the Virgin Mary in Nazareth by Vasily Polenov

plate no. 6654

Fountain of the Virgin Mary in Nazareth

Vasily Polenov, 1882

oilRealismgenre paintingarchitecturefigureslandscapetreesvillagepath
some experience helpful

Recreating this painting will help students develop skills in depicting light and shadow on architectural forms and capturing the atmosphere of a landscape with figures. It also provides practice in simplifying complex scenes into manageable shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the architecture, trees, and figures.

  2. step 02

    Establish the horizon line and the perspective of the buildings and paths.

  3. step 03

    Block in the main color areas: sky, hills, architecture, and foreground.

  4. step 04

    Develop the values, paying attention to the light and shadow on the buildings and trees.

  5. step 05

    Add details to the architecture, such as the stones and arches.

  6. step 06

    Paint the figures, simplifying their forms and focusing on their placement and interaction with the environment.

  7. step 07

    Refine the details in the foreground, adding texture to the path and vegetation.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · viridian green · raw sienna

Mix greens by combining yellow ochre and ultramarine blue, adjusting the ratio for different shades. Achieve the stone colors by mixing burnt umber, yellow ochre, and white. Use cadmium red to create the figures' clothing.

techniques

  • ·blocking in
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·simplified figure painting

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear value structure.
  • →Making the figures too detailed or prominent.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·view finder

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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