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home·artworks·Fountain
Fountain by Grigoriy Myasoyedov

plate no. 6028

Fountain

Grigoriy Myasoyedov

oil, canvasRealismlandscapetreeslandscapefigureroadfoliagefountain
some experience helpful

Recreating this painting will allow students to practice creating depth through atmospheric perspective and learn how to suggest detail in foliage using varied brushstrokes. It will also help develop skills in mixing natural earth tones and capturing the effects of light and shadow in a landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the road, the trees, the fountain, and the figures.

  2. step 02

    Establish the basic value structure by blocking in the dark areas of the trees and the road.

  3. step 03

    Mix a range of earth tones and begin layering in the colors of the road, paying attention to the changes in value as it recedes into the distance.

  4. step 04

    Add the foliage, using a variety of brushstrokes to suggest the texture and form of the leaves.

  5. step 05

    Paint the fountain, focusing on capturing the subtle variations in color and texture of the stone.

  6. step 06

    Add the figures, keeping them simple and suggestive.

  7. step 07

    Refine the details, paying attention to the highlights and shadows that create depth and form.

  8. step 08

    Add final touches and glazes to unify the painting.

color palette

primary · burnt umber · raw sienna · sap green · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Mix greens by combining sap green with yellow ochre or burnt umber. Create earth tones by mixing burnt umber with raw sienna and titanium white. Use ultramarine blue to cool down greens and browns.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overworking the details in the foliage, leading to a flat and lifeless appearance.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using colors that are too saturated, resulting in an unnatural look.
  • →Ignoring the subtle variations in value and color within the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·sap green oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of burnt umber before beginning.

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related guides

oil painting for beginners →how to learn by studying the masters →
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