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home·artworks·Fomushka-owl
Fomushka-owl by Vasily Perov

plate no. 9232

Fomushka-owl

Vasily Perov, 1868

oilRealismportraitportraitmanbeardhairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic textures like hair and beard. It also provides practice in using a limited palette to create a range of values and tones.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the subject's proportions and pose on the canvas.

  2. step 02

    Establish the background with a thin wash of dark brown, gradually building up the tones.

  3. step 03

    Block in the main shapes of the face, hair, beard, and clothing with corresponding base colors.

  4. step 04

    Begin layering and blending colors to define the form and create subtle transitions in the skin tones.

  5. step 05

    Focus on capturing the likeness by carefully observing and replicating the subject's facial features.

  6. step 06

    Add details to the hair and beard, using small brushstrokes to create texture and volume.

  7. step 07

    Refine the clothing and background, paying attention to the interplay of light and shadow.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw umber · titanium white · ivory black

secondary · cadmium red light · yellow ochre

Mix burnt umber and ivory black for the darker tones in the background and clothing. Use white to lighten the umber tones for the skin and beard. Add touches of cadmium red and yellow ochre to warm up the skin tones.

techniques

  • ·portraiture
  • ·value study
  • ·blending
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the blending and losing the texture.
  • →Failing to capture the likeness of the subject.
  • →Using too much color and losing the tonal harmony.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the initial values.

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oil painting for beginners →how to learn by studying the masters →
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