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home·artworks·Fluvial Landscape
Fluvial Landscape by Jose Ferraz de Almeida Junior

plate no. 2665

Fluvial Landscape

Jose Ferraz de Almeida Junior, 1899

oilRealismlandscapelandscapewatertreesvegetationreflectionslog
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow in a landscape, as well as practice loose, expressive brushwork to create texture and depth. Students will also learn to simplify complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes.

  2. step 02

    Establish the main color blocks: sky, trees, field, and water.

  3. step 03

    Begin layering in the darker values in the trees and reflections.

  4. step 04

    Add the mid-tones to the field and water, creating a sense of depth.

  5. step 05

    Introduce highlights to the foliage and water surface to create luminosity.

  6. step 06

    Define the details of the log and other foreground elements.

  7. step 07

    Refine the reflections in the water, paying attention to color and value.

  8. step 08

    Add final touches and details to bring the painting to life.

color palette

primary · viridian green · yellow ochre · burnt umber · titanium white

secondary · cerulean blue · raw sienna

Mix greens by combining viridian green and yellow ochre. Use burnt umber and white to create various shades of brown for the earth and reflections. Add small amounts of blue to darken greens and browns.

techniques

  • ·broken color
  • ·wet-on-dry layering
  • ·scumbling
  • ·alla prima
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the subtle variations in light and shadow.
  • →Ignoring the importance of reflections in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (viridian green, yellow ochre, burnt umber, titanium white, cerulean blue, raw sienna)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel

Use a limited palette to simplify color mixing. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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