apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Flussmündung Mit Befestigter Stadt
Flussmündung Mit Befestigter Stadt by Salomon van Ruysdael

plate no. 0049

Flussmündung Mit Befestigter Stadt

Salomon van Ruysdael

oilBaroquecityscapecityscapewaterboatsbuildingsskyfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in depicting architectural details and figures in a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the city, water, and sky.

  2. step 02

    Establish the horizon line and the main shapes of the buildings and boats.

  3. step 03

    Block in the sky with light blues and grays, blending the colors to create a soft, cloudy effect.

  4. step 04

    Paint the water with dark blues and greens, adding reflections of the buildings and boats.

  5. step 05

    Begin painting the buildings, using a range of browns and oranges to create depth and texture.

  6. step 06

    Add details to the buildings, such as windows, doors, and architectural features.

  7. step 07

    Paint the boats and figures, paying attention to their shapes and proportions.

  8. step 08

    Add final details and highlights to the painting, such as the reflections in the water and the light on the buildings.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna · ivory black

Mix blues and whites for the sky, adding a touch of yellow ochre for warmth. Use burnt umber and raw sienna for the buildings, mixing in white to create lighter tones and black for shadows. For the water, mix blues, greens, and blacks to create depth and reflections.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering reflections
  • ·building texture

common pitfalls

  • →Overworking the details in the buildings, leading to a cluttered appearance.
  • →Failing to create a sense of depth in the painting.
  • →Using too much contrast, making the painting look harsh.
  • →Not paying enough attention to the reflections in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne