apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Flowers
Flowers by Odilon Redon

plate no. 3408

Flowers

Odilon Redon, 1905

pastel, paperRealismflower paintingflowersvasestill lifebouquetanemoneslilac
experienced study

Students would develop pastel blending techniques and color layering skills while learning to capture the soft, velvety texture characteristic of pastel medium. This piece teaches how to create luminous color relationships and work with complementary warm/cool contrasts.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Start with light sketch of vase and general flower shapes using charcoal or light pastel

  2. step 02

    Block in the warm golden background using broad strokes and blending stumps

  3. step 03

    Establish the dark vase form with deep browns and blacks

  4. step 04

    Begin flower shapes with mid-tone colors, working from general masses to specific blooms

  5. step 05

    Layer individual flower colors - reds, blues, purples, yellows - using gentle pressure

  6. step 06

    Add white lilac sprigs and small detail flowers with lighter touches

  7. step 07

    Develop green foliage using various green tones and soft blending

  8. step 08

    Final details and highlights, adjusting color intensity and soft edges throughout

color palette

primary · cadmium yellow medium · burnt sienna · ultramarine blue · cadmium red

secondary · viridian green · titanium white · burnt umber · dioxazine purple

Layer pastels rather than mixing - use warm yellows and oranges for background glow, cool blues and purples for flower shadows, and blend with fingers or stumps for soft transitions

techniques

  • ·pastel layering
  • ·finger blending
  • ·stump blending
  • ·color temperature contrast
  • ·soft edge rendering

common pitfalls

  • →overworking the pastel surface
  • →making edges too sharp
  • →neglecting warm/cool color relationships
  • →insufficient color saturation in flowers

materials

surface · textured pastel paper in warm neutral tone (buff or light tan)

required

  • ·soft pastel set with wide color range
  • ·pastel paper 18x24 (warm tone)
  • ·blending stumps
  • ·kneaded eraser
  • ·fixative spray
  • ·charcoal pencil for initial sketch
  • ·tissue paper
  • ·cotton swabs

optional

  • ·pastel pencils for fine details
  • ·white pastel pencil
  • ·tortillons
  • ·workable fixative

Use high-quality soft pastels for best color saturation and blending. Work in layers from light to dark, fixing lightly between major stages.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy