apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Flowers
Flowers by Nikolaos Gyzis

plate no. 1897

Flowers

Nikolaos Gyzis, 1895

oilRealismflower paintingflowersvasestill lifedark backgroundtable
some experience helpful

Recreating this painting will help students develop skills in rendering form with subtle value changes and capturing the texture of flowers using broken brushstrokes. It also provides practice in painting reflective surfaces and creating a sense of depth with a limited palette.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the vase and flowers, paying attention to proportions.

  2. step 02

    Establish the dark background and the lighter area behind the vase with thin washes.

  3. step 03

    Block in the main values of the vase, noting the highlights and shadows.

  4. step 04

    Begin layering the petals of the flowers, starting with the darkest shadows and gradually adding lighter tones.

  5. step 05

    Use broken brushstrokes to create the texture of the petals.

  6. step 06

    Add the small white flowers and leaves.

  7. step 07

    Refine the details of the vase, including the reflections and highlights.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic image.

color palette

primary · ivory black · titanium white · raw umber

secondary · cadmium red light · yellow ochre

Mix various shades of white by adding small amounts of raw umber and a touch of red. Use ivory black thinned with medium for the darkest areas. Mix greens by combining yellow ochre and ivory black.

techniques

  • ·chiaroscuro
  • ·broken brushstrokes
  • ·glazing
  • ·scumbling
  • ·wet-on-dry

common pitfalls

  • →Overworking the details too early.
  • →Failing to establish a strong value structure.
  • →Using too much paint and losing the subtle transitions.
  • →Not paying attention to the reflected light in the vase.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a canvas with a smooth surface to allow for subtle blending. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy