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home·artworks·Flowers and Butterflies in Front of a Sculpted Cartouche
Flowers and Butterflies in Front of a Sculpted Cartouche by Jan van Kessel the Elder

plate no. 9765

Flowers and Butterflies in Front of a Sculpted Cartouche

Jan van Kessel the Elder

oilBaroqueflower paintingflowerstulipsrosesleavesbutterfliescartouche
experienced study

Recreating this painting will help students develop skills in rendering complex floral arrangements, understanding chiaroscuro, and creating realistic textures with oil paint. It also offers practice in capturing the delicate details of flowers and insects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shape of the cartouche and the overall arrangement of the flowers.

  2. step 02

    Block in the background with a dark, neutral color.

  3. step 03

    Begin painting the larger flowers, focusing on their basic shapes and values.

  4. step 04

    Gradually add details to the flowers, such as petals, stems, and leaves.

  5. step 05

    Introduce the butterflies, paying attention to their delicate wings and patterns.

  6. step 06

    Refine the highlights and shadows to create depth and dimension.

  7. step 07

    Add final details, such as small flowers, buds, and subtle color variations.

  8. step 08

    Varnish the painting to protect it and enhance its colors.

color palette

primary · titanium white · cadmium red · cadmium yellow · ultramarine blue

secondary · burnt umber · sap green · alizarin crimson · yellow ochre

Achieve the various floral hues by mixing primary colors with white and earth tones. Use glazes of alizarin crimson and ultramarine blue to create depth in shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Losing the overall composition in the details.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (titanium white, cadmium red, cadmium yellow, ultramarine blue, burnt umber, sap green, alizarin crimson, yellow ochre)
  • ·linseed oil
  • ·turpentine
  • ·assorted round and flat brushes
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·damar varnish
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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