apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Flower Still Life
Flower Still Life by Jan van Kessel the Elder

plate no. 4954

Flower Still Life

Jan van Kessel the Elder

oilBaroqueflower paintingflowersstill lifeglass vaseleavesinsectsbutterflies
experienced study

Recreating this painting will help students develop skills in rendering translucent objects like glass, and in capturing the subtle color variations and textures of flower petals.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition of the flowers, vase, and background.

  2. step 02

    Establish the dark background using thin layers of dark brown and black.

  3. step 03

    Block in the main colors of each flower, focusing on the overall value structure.

  4. step 04

    Begin layering and blending colors within each flower to create depth and form.

  5. step 05

    Add highlights and shadows to define the petals and create a sense of volume.

  6. step 06

    Paint the glass vase, paying attention to reflections and refractions of light.

  7. step 07

    Add details such as the insects and butterflies.

  8. step 08

    Refine the details and add final touches to enhance the realism.

color palette

primary · titanium white · cadmium red · cadmium yellow · ultramarine blue

secondary · burnt umber · ivory black · sap green

Achieve the various pinks by mixing cadmium red with titanium white. Create the darker greens by mixing sap green with burnt umber and a touch of black. Use glazes of burnt umber and yellow ochre for the vase.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·rendering transparency

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Mixing muddy colors by over-blending.
  • →Not capturing the subtle color variations in the flowers.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·damar varnish
  • ·drying retarder
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the dark background.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne