apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Flower market
Flower market by Giacomo Favretto

plate no. 3254

Flower market

Giacomo Favretto, 1882

oil, canvasRealismgenre paintingfiguresflowersplantspotsmarketgreenhouse
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with loose brushstrokes and creating depth through layering and atmospheric perspective. It also provides practice in depicting figures in a naturalistic setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the overall arrangement of the flower pots.

  2. step 02

    Establish the background with broad, loose strokes, creating a sense of depth and atmosphere.

  3. step 03

    Block in the main colors of the figures, paying attention to the light and shadow on their clothing.

  4. step 04

    Begin to add details to the flower pots and plants, using a variety of brushstrokes to create texture and visual interest.

  5. step 05

    Refine the figures, adding details to their faces and clothing.

  6. step 06

    Adjust the values and colors throughout the painting to create a sense of harmony and balance.

  7. step 07

    Add final highlights and details to the flowers and plants.

  8. step 08

    Glaze with thin layers to unify the painting.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · sap green · ultramarine blue · ivory black

Achieve the earthy tones by mixing burnt umber with yellow ochre and white. Use small amounts of cadmium red to create the flower colors and the red headscarf. Mix ultramarine blue and burnt umber for the darker areas.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy