apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Flock of sheep with shepherd in the snow
Flock of sheep with shepherd in the snow by Anton Mauve

plate no. 3206

Flock of sheep with shepherd in the snow

Anton Mauve

oilRealismgenre paintingsheepshepherdsnowskyfigurelandscape
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and using a limited palette to convey mood. It also provides practice in suggesting form with loose, expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, indicating the horizon line, the placement of the shepherd, and the general shape of the flock.

  2. step 02

    Establish the sky using a thin wash of gray, blending it slightly towards the horizon.

  3. step 03

    Block in the large shapes of the snow using a mix of white, gray, and a touch of brown, varying the tones to create depth.

  4. step 04

    Add the dark masses of the sheep using a mix of brown and black, focusing on the overall shape of the flock rather than individual details.

  5. step 05

    Introduce highlights on the sheep and snow with thicker applications of white and light gray.

  6. step 06

    Paint the shepherd with dark, simplified shapes, suggesting form with subtle variations in tone.

  7. step 07

    Add details like the birds and any foreground elements with small, deliberate brushstrokes.

  8. step 08

    Refine the overall composition, adjusting values and edges to create a sense of atmosphere and depth.

color palette

primary · titanium white · raw umber · ivory black

secondary · payne's gray · yellow ochre

Achieve the various grays by mixing white with black and small amounts of raw umber. Use yellow ochre sparingly to warm up the browns and grays.

techniques

  • ·dry brushing
  • ·scumbling
  • ·limited palette
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details, losing the loose, expressive quality of the original.
  • →Creating too much contrast, resulting in a harsh, unrealistic effect.
  • →Failing to establish a clear sense of depth and atmosphere.
  • →Using too many colors, muddying the overall effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·palette knife
  • ·#6 flat brush
  • ·#2 round brush
  • ·linseed oil

optional

  • ·payne's gray oil paint
  • ·yellow ochre oil paint
  • ·odorless mineral spirits
  • ·medium gloss

A slightly textured canvas will enhance the effect of the broken color technique.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy