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home·artworks·Flight into Egypt
Flight into Egypt by Jan Asselijn

plate no. 5585

Flight into Egypt

Jan Asselijn

canvas, oilBaroquereligious paintinglandscapefiguresmountainsskywatertrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through value and color changes. Students will also practice rendering figures in a landscape setting with limited detail.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, mountains, figures, and major landscape elements.

  2. step 02

    Establish the overall warm tone of the sky with a thin wash of orange and yellow.

  3. step 03

    Block in the distant mountains and landscape with muted greens and blues, focusing on atmospheric perspective.

  4. step 04

    Paint the darker foreground elements, including the trees, cliff, and water, using darker shades of brown and green.

  5. step 05

    Add the figures, paying attention to their relative size and placement within the scene.

  6. step 06

    Refine the details of the sky, adding clouds and subtle color variations.

  7. step 07

    Add highlights to the figures and landscape to create a sense of depth and dimension.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and enhance the overall mood.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · titanium white · cadmium orange · sap green

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white to distant colors.

techniques

  • ·glazing
  • ·atmospheric perspective
  • ·scumbling
  • ·blending
  • ·layering

common pitfalls

  • →Overworking details in the foreground, which can flatten the composition.
  • →Failing to create a convincing sense of atmospheric perspective.
  • →Using colors that are too saturated, which can detract from the overall mood.
  • →Ignoring the subtle value changes in the sky and landscape.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (yellow ochre, burnt umber, ultramarine blue, titanium white, cadmium orange, sap green)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brush (size 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grit canvas for best results. Consider toning the canvas with a thin wash of burnt umber before beginning.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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