apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Flickan Med Hunden
Flickan Med Hunden by Eero Järnefelt

plate no. 9782

Flickan Med Hunden

Eero Järnefelt, 1910

oilRealismgenre paintinggirldogfieldskyfigurelandscape
some experience helpful

Recreating this painting will help students develop skills in portraiture, capturing soft light, and creating a sense of atmosphere through subtle color variations. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the girl and the dog.

  2. step 02

    Block in the main color areas: sky, field, figures. Use thin washes of color.

  3. step 03

    Develop the sky with soft, blended tones of blue, white, and gray.

  4. step 04

    Establish the base colors of the field, varying greens and yellows.

  5. step 05

    Begin to define the forms of the girl and the dog, paying attention to light and shadow.

  6. step 06

    Add details to the girl's face, hair, and clothing, and to the dog's features and fur.

  7. step 07

    Refine the details in the field, adding highlights and shadows to create depth.

  8. step 08

    Add final touches and adjust colors as needed to achieve a cohesive and harmonious effect.

color palette

primary · titanium white · cerulean blue · yellow ochre · burnt sienna

secondary · cadmium yellow · alizarin crimson · raw umber

Mix various shades of green by combining yellow ochre, cerulean blue, and a touch of burnt sienna. Use white to lighten colors and create soft, muted tones. Mix browns with burnt sienna and raw umber.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·glazing
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated or intense.
  • →Neglecting the importance of soft edges and subtle transitions.
  • →Incorrect proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium-textured canvas will work well for this style.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy