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home·artworks·Fishing Port
Fishing Port by Charles-Francois Daubigny

plate no. 6574

Fishing Port

Charles-Francois Daubigny, 1874

oil, panelRealismlandscapeboatsharborskycloudsbuildingsfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and loose, expressive brushwork. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the boats and buildings.

  2. step 02

    Block in the large shapes of the sky, land, and water with thin washes of color.

  3. step 03

    Establish the darkest values in the boats and buildings.

  4. step 04

    Begin layering colors to create depth and atmosphere in the sky and landscape.

  5. step 05

    Add details to the boats and buildings, using thicker paint and more defined brushstrokes.

  6. step 06

    Refine the highlights and shadows to create a sense of form.

  7. step 07

    Add final details, such as the rigging of the boats and the figures in the distance.

  8. step 08

    Glaze with thin layers to unify the painting.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · cadmium red

Achieve the muted tones by mixing complementary colors and using white to adjust the values. The sky is a mix of white, yellow ochre, and a touch of blue.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·glazing

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Not simplifying the complex shapes of the boats and buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·cadmium red oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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