Fishing

surface prep

The canvas should be prepared to accept oil paint, likely involving a ground that allows for the layering techniques described in traditional oil painting practices. While specific preparation for this exact canvas is not detailed in the sources, traditional methods involve priming to ensure the paint adheres properly and to provide a suitable surface for the 'fat over lean' application rule (Source 8).

underdrawing

Traditional oil painting techniques often begin with the artist sketching the subject onto the canvas with charcoal or thinned paint (Source 8). Makovsky, as a sound craftsman, would likely have used this method to establish the composition and figures before applying paint (Source 1).

underpainting

A grisaille (monochrome underpainting) may be employed, as this method was practised by old masters and involves extracting red and yellow colours to establish values before glazing (Source 7). This technique helps in managing the 'broad masses' and avoiding the tendency to get 'too much tied down to your outline' (Source 1).

Glazing and Scumbling

Used to add transparency and depth, particularly with red and yellow tones, as practised by old masters (Source 7).

Fat over Lean

Each additional layer of paint should contain more oil than the layer below to allow proper drying and prevent cracking (Source 8).

Broad Masses

Focusing on broad masses rather than fine details initially to avoid getting tied down to outlines (Source 1).