apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Fishing
Fishing by Vladimir Makovsky

plate no. 0430

Fishing

Vladimir Makovsky, 1884

oilRealismgenre paintingrivertreesfigureslandscapefishingfoliage
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic foliage with varied brushstrokes. It also provides practice in capturing natural light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the river, the bank, and the figures.

  2. step 02

    Establish the sky with a thin wash of grey and white, blending softly.

  3. step 03

    Block in the large shapes of the trees and the bank with broad strokes, using darker tones for shadows.

  4. step 04

    Develop the foliage by layering different shades of green and brown, using varied brushstrokes to create texture.

  5. step 05

    Paint the figures, paying attention to their proportions and the way light falls on them.

  6. step 06

    Add details to the river, reflecting the sky and the surrounding landscape.

  7. step 07

    Refine the details of the foreground, adding small plants and flowers.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · raw umber · titanium white · sap green

secondary · yellow ochre · burnt sienna · ultramarine blue

Mix greens by combining sap green with yellow ochre or ultramarine blue. Achieve earthy tones by mixing raw umber with burnt sienna and small amounts of white.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details, which can flatten the painting.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using too much pure color without mixing.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy