apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·FISHING BOATS AT VILLEFRANCHE
FISHING BOATS AT VILLEFRANCHE by Nathaniel Hone the Younger

plate no. 1042

FISHING BOATS AT VILLEFRANCHE

Nathaniel Hone the Younger, 1880

oilRealismmarinaboatswaterbuildingsskycoastlinefigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle reflections in water. It also provides practice in rendering architectural forms with simplified details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the boats, coastline, and buildings.

  2. step 02

    Establish the overall color tone of the sky and water with thin washes.

  3. step 03

    Block in the dark values of the boats, buildings, and rocks.

  4. step 04

    Begin refining the shapes of the boats and adding details to the sails.

  5. step 05

    Develop the architectural details of the buildings, focusing on light and shadow.

  6. step 06

    Add reflections in the water, paying attention to their distortion and color.

  7. step 07

    Refine the details of the rocks and foreground elements.

  8. step 08

    Add final highlights and details to create depth and realism.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · titanium white · raw sienna · ivory black

Achieve the muted tones by mixing the primary colors with white and small amounts of black. Use yellow ochre and white for the sky, and add blue and umber for the water. Mix umber and blue for the dark areas of the boats and buildings.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating reflections that are too bright or too symmetrical.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy