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home·artworks·Fish-shop
Fish-shop by Frans Snyders

plate no. 1606

Fish-shop

Frans Snyders, 1616

oilBaroquegenre paintingfishseafoodfigurestableinteriorbuilding
experienced study

Recreating this painting will help students develop skills in rendering textures of various objects and understanding complex compositions with multiple focal points. It also provides practice in depicting realistic figures in a dimly lit environment.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes and composition, paying attention to the placement of the figures and the table.

  2. step 02

    Establish the background with dark, muted tones, gradually building up the details of the interior and the distant building.

  3. step 03

    Block in the main colors of the figures, focusing on capturing the light and shadow on their faces and clothing.

  4. step 04

    Start painting the seafood, working from the larger shapes to the smaller details, and paying attention to the textures and colors of each item.

  5. step 05

    Develop the details of the table and the objects on it, using layering and glazing techniques to create depth and realism.

  6. step 06

    Refine the highlights and shadows throughout the painting, adding subtle details to enhance the overall effect.

  7. step 07

    Add the final details, such as the reflections on the metal surfaces and the textures of the fabrics.

  8. step 08

    Glaze the entire painting to unify the colors and create a sense of atmosphere.

color palette

primary · burnt umber · ivory black · titanium white · cadmium red

secondary · yellow ochre · ultramarine blue · raw sienna

Achieve the various flesh tones by mixing titanium white, cadmium red, and a touch of burnt umber. Use ultramarine blue and burnt umber to create the dark, muted tones of the background.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·layering
  • ·rendering textures

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition and values.
  • →Failing to create a sense of depth and atmosphere in the background.
  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Inaccurate color mixing, resulting in unnatural-looking tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine
  • ·raw sienna oil paint

Use high-quality oil paints for best results. A medium-sized canvas will allow for sufficient detail.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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