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home·artworks·Fish market Sun
Fish market Sun by Johan Hendrik Weissenbruch

plate no. 1757

Fish market Sun

Johan Hendrik Weissenbruch, 1873

oilRealismcityscapebuildingsfiguresstreetskycloudsdogs
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the effects of light and shadow on various surfaces. It also provides practice in depicting figures in a realistic, yet simplified manner.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic shapes and perspective of the buildings and figures.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Establish the sky and cloud formations using soft, blended brushstrokes.

  4. step 04

    Develop the details of the buildings, paying attention to the variations in color and texture.

  5. step 05

    Add the figures, simplifying their forms and focusing on their placement and interaction with the environment.

  6. step 06

    Refine the details of the foreground, including the reflections on the wet street.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · ultramarine blue · yellow ochre · sap green

Mix white with raw umber and a touch of blue to create the cool grays of the sky and buildings. Use burnt sienna and raw umber for the warmer tones of the brick. Add yellow ochre and sap green to create the foliage.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated and not reflecting the muted tones of the scene.
  • →Incorrect perspective of the buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes size 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a limited palette to achieve color harmony. Consider using a toned canvas to help establish the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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