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First snow by Veniamin Kremer

plate no. 0248

First snow

Veniamin Kremer, 1945

oilRealismlandscapetreessnowwinterlandscapeforestsky
some experience helpful

Recreating this painting will help students develop skills in layering paint to create depth and texture, and in observing subtle color variations in snow and shadows. It also offers practice in depicting atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the horizon line.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the sky with a muted mix of yellow ochre and white.

  4. step 04

    Begin layering in the dark areas of the trees and shadows with a mix of umber, blue, and a touch of red.

  5. step 05

    Add the snow using white mixed with small amounts of blue, ochre, or violet to create variations in tone.

  6. step 06

    Develop the texture of the snow and trees with visible brushstrokes, using both flat and round brushes.

  7. step 07

    Refine the details, paying attention to the shapes of the branches and the highlights on the snow.

  8. step 08

    Add final touches and adjust values as needed to create a sense of depth and atmosphere.

color palette

primary · titanium white · burnt umber · ultramarine blue

secondary · yellow ochre · cadmium red

Achieve the snow colors by mixing white with small amounts of blue, ochre, or violet. Create the dark tones for the trees by mixing umber, blue, and a touch of red.

techniques

  • ·layering
  • ·dry brush
  • ·scumbling
  • ·atmospheric perspective
  • ·value studies

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Making the snow too uniformly white, lacking depth and variation.
  • →Ignoring the subtle color variations in the shadows.
  • →Losing the overall value structure by focusing too much on details early on.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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