apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·First Snow
First Snow by Efim Volkov

plate no. 9720

First Snow

Efim Volkov, 1883

oilRealismlandscapesnowbridgewatertreeslandscapebushes
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle color variations in snow. It also provides practice in rendering reflections in water and creating texture with brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the bridge, water, and treeline.

  2. step 02

    Establish the sky with a light, muted blue-gray wash.

  3. step 03

    Block in the distant landscape with soft, blended tones of brown and gray.

  4. step 04

    Paint the trees and bushes, varying the colors and values to create depth.

  5. step 05

    Add the snow, using a mix of white, gray, and subtle hints of blue and brown to capture the light and shadows.

  6. step 06

    Paint the bridge, paying attention to the details of its structure and the reflections in the water.

  7. step 07

    Add the reflections in the water, using slightly darker and more muted versions of the colors above.

  8. step 08

    Refine the details and add highlights to create a sense of realism.

color palette

primary · titanium white · raw umber · ultramarine blue

secondary · burnt sienna · yellow ochre

Mix white with small amounts of blue and umber for the snow. Use raw umber and burnt sienna for the trees and bushes, adding white to lighten the values. Create the sky by mixing white, blue, and a touch of umber.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the snow and losing the subtle color variations.
  • →Making the reflections too bright or too detailed.
  • →Failing to create a sense of depth in the landscape.
  • →Using too much detail in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy