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home·artworks·Fire in the Oil Depot at San Marcuola
Fire in the Oil Depot at San Marcuola by Francesco Guardi

plate no. 4783

Fire in the Oil Depot at San Marcuola

Francesco Guardi, 1789

oil, canvasBaroquegenre paintingbuildingsfiresmokefigurescityscapesky
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with loose, expressive brushwork. Students will also learn to create a sense of depth and drama using value contrasts and a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and the overall composition, paying attention to perspective.

  2. step 02

    Establish the dark areas of the smoke and the general sky tone with thin washes.

  3. step 03

    Block in the main shapes of the buildings with mid-tone browns and grays.

  4. step 04

    Add highlights to the buildings and the areas affected by the fire, using lighter tones.

  5. step 05

    Paint the figures in the foreground with simple shapes and dark colors.

  6. step 06

    Refine the details of the buildings and the smoke, adding texture and variation.

  7. step 07

    Add final highlights and shadows to create depth and drama.

  8. step 08

    Glaze with thin washes to unify the color palette and create atmospheric effects.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · titanium white · Prussian blue · yellow ochre

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use Prussian blue to create a slightly cooler tone for the sky and smoke. Add yellow ochre to create warmer highlights in the fire and on the buildings.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the loose, expressive feel of the original.
  • →Failing to create a sense of depth and atmosphere.
  • →Using too many colors and creating a muddy or chaotic effect.
  • →Not paying attention to the value contrasts and losing the drama of the scene.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, Prussian blue, yellow ochre)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-grain canvas for best results. Consider using a toned canvas to create a more unified color palette.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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