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Fire by Claude Deruet

plate no. 5462

Fire

Claude Deruet, 1642

oilBaroquegenre paintingbuildingshorsesfigurescityscapefirenight
advanced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and architectural details, as well as understanding atmospheric perspective and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of major elements like buildings and groups of figures.

  2. step 02

    Block in the main shapes of the buildings and the ground plane using thin washes of burnt umber and raw sienna.

  3. step 03

    Establish the dark areas of the sky and the shadows on the buildings using a mix of black and burnt umber.

  4. step 04

    Start adding details to the buildings, focusing on the architectural elements and the figures on the balconies.

  5. step 05

    Paint the horses and riders in the foreground, paying attention to their anatomy and movement.

  6. step 06

    Add the flames and smoke, using yellows, oranges, and reds to create a sense of light and heat.

  7. step 07

    Refine the details and add highlights to create a sense of depth and realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the atmosphere.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · cadmium red · titanium white

Mix burnt umber and black for dark shadows. Use raw sienna and yellow ochre to create the warm tones of the buildings and ground. Add white to lighten values and create highlights.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·architectural rendering

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to create a sense of depth and atmosphere.
  • →Making the figures look stiff and unnatural.
  • →Overworking the painting and losing the freshness of the initial washes.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round, flat, filbert)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a fine-grained canvas to allow for detailed brushwork. Consider using a toned ground to help establish the overall color scheme.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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