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home·artworks·Figure on the road and farmhouse at sunset
Figure on the road and farmhouse at sunset by Homer Watson

plate no. 8983

Figure on the road and farmhouse at sunset

Homer Watson

oilRealismlandscapelandscapefarmhousetreespondfiguresunset
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle gradations of light at sunset. It also provides practice in rendering foliage and reflections in water.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the farmhouse, road, and pond.

  2. step 02

    Establish the horizon line and the overall tonal values of the sky and landscape.

  3. step 03

    Block in the main shapes of the trees and the farmhouse with broad brushstrokes.

  4. step 04

    Begin layering colors in the sky, blending warm and cool tones to create the sunset effect.

  5. step 05

    Develop the details of the farmhouse, paying attention to the light and shadow.

  6. step 06

    Add the reflections in the pond, using horizontal strokes and muted colors.

  7. step 07

    Refine the foliage, using dry brush techniques to create texture.

  8. step 08

    Add the figure on the road as a final detail, ensuring it is in proportion to the landscape.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · ultramarine blue · cadmium yellow · alizarin crimson

Achieve the warm sunset glow by mixing yellow ochre and burnt umber with touches of alizarin crimson. Muted greens are created by mixing ultramarine blue and cadmium yellow with burnt umber.

techniques

  • ·atmospheric perspective
  • ·dry brush
  • ·wet-on-dry layering
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details in the trees, losing the overall sense of atmosphere.
  • →Creating too much contrast in the reflections, making them appear unnatural.
  • →Failing to establish a clear focal point, resulting in a flat composition.
  • →Using colors that are too saturated, diminishing the subtle gradations of light.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 6, 10)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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