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home·artworks·Fields in the Month of June
Fields in the Month of June by Charles-Francois Daubigny

plate no. 2972

Fields in the Month of June

Charles-Francois Daubigny

oilRealismlandscapefieldflowersskyfigurestreeslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering colors to create depth. Students will also practice rendering soft, diffused light and creating texture with brushstrokes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of major elements.

  2. step 02

    Block in the sky with light blues and pinks, blending softly to create a sense of atmosphere.

  3. step 03

    Establish the distant hills and trees with muted greens and browns, using lighter values for areas further away.

  4. step 04

    Paint the field with varying shades of green, adding touches of yellow and brown for highlights and shadows.

  5. step 05

    Add the red and white flowers, using small brushstrokes to create texture and detail.

  6. step 06

    Paint the figures and animals with simple shapes and muted colors, paying attention to their placement and scale.

  7. step 07

    Add final details, such as the haystacks and birds in the sky.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the atmosphere.

color palette

primary · cerulean blue · titanium white · cadmium red · yellow ochre

secondary · burnt umber · sap green · alizarin crimson

Mix greens by combining blues and yellows, and create muted tones by adding small amounts of complementary colors. Achieve the sky's soft hues by blending white with small amounts of blue, pink, and yellow.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·soft blending
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details in the foreground, losing the sense of depth.
  • →Using colors that are too saturated, creating a harsh or unnatural effect.
  • →Neglecting the importance of value in creating form and depth.
  • →Making the brushstrokes too uniform, resulting in a flat or lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·cerulean blue oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the luminosity of the colors.

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