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home·artworks·Festivities on the Coast (Calendimaggio)
Festivities on the Coast (Calendimaggio) by Agostino Tassi

plate no. 2265

Festivities on the Coast (Calendimaggio)

Agostino Tassi, 1620

oilBaroquegenre paintingbuildingfigureslandscapeskytreesboats
some experience helpful

This painting offers practice in rendering atmospheric perspective and depicting figures in a landscape. Students can learn to simplify details and focus on overall tonal relationships.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the building, landscape, and figures, paying attention to proportions and perspective.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes.

  3. step 03

    Begin refining the building, adding details like windows and architectural features, using a limited palette of whites, grays, and browns.

  4. step 04

    Develop the landscape, focusing on creating depth through atmospheric perspective, with cooler and lighter tones in the distance.

  5. step 05

    Paint the figures, simplifying their forms and using small brushstrokes to suggest movement and detail.

  6. step 06

    Add the boats and water, paying attention to reflections and the subtle variations in color.

  7. step 07

    Refine the details and adjust the values to create a sense of unity and harmony.

  8. step 08

    Add final highlights and shadows to enhance the sense of realism.

color palette

primary · titanium white · raw umber · yellow ochre

secondary · ultramarine blue · burnt sienna · cadmium red light

Mix various shades of gray by combining white with small amounts of umber and blue. Use yellow ochre and burnt sienna to create warm earth tones. Add small amounts of red and blue to create the colors for the figures.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·figure drawing

common pitfalls

  • →Overworking the details, losing the overall sense of atmosphere.
  • →Creating too much contrast, making the painting look harsh.
  • →Incorrect perspective, making the building or landscape appear distorted.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Thin the oil paints with linseed oil or turpentine for easier blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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