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home·artworks·Felix Jasinski in His Printmaking Studio
Felix Jasinski in His Printmaking Studio by Felix Vallotton

plate no. 0887

Felix Jasinski in His Printmaking Studio

Felix Vallotton, 1887

oil, canvasRealismgenre paintingartiststudiointeriorfiguretableartwork
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones and capturing the subtle variations in light and shadow within an interior space. It also provides practice in depicting various textures and objects within a complex composition.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions.

  2. step 02

    Block in the main shapes and areas of color, focusing on the large masses first.

  3. step 03

    Develop the values and tones, gradually building up the light and shadow.

  4. step 04

    Refine the details of the figure, paying attention to the facial features and clothing.

  5. step 05

    Add details to the surrounding objects and background, maintaining a sense of depth.

  6. step 06

    Blend and soften edges where necessary to create a smooth transition between colors.

  7. step 07

    Add highlights and final touches to enhance the sense of realism.

  8. step 08

    Step back and assess the overall balance and harmony of the painting.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · burnt sienna · viridian · cadmium red light

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use raw umber and ivory black to create the darker values, and yellow ochre and white for the lighter areas.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color harmony.

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oil painting for beginners →how to learn by studying the masters →
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