apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Feeding the Lamb
Feeding the Lamb by Eastman Johnson

plate no. 1292

Feeding the Lamb

Eastman Johnson, 1875

oilRealismgenre paintingfiguresheeplandscapefieldskyfoliage
some experience helpful

Recreating this painting will help students develop skills in creating realistic figures in a landscape and understanding how to use broken color to create texture and atmosphere. Students will also learn to simplify complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, the sheep, the horizon line, and the basic landscape elements.

  2. step 02

    Establish the background sky and distant sea with thin washes of color, focusing on the subtle gradations of light.

  3. step 03

    Block in the large areas of color in the field, using a mix of yellows, browns, and greens. Pay attention to the direction of the brushstrokes to suggest the texture of the grass.

  4. step 04

    Start defining the figure by blocking in the darks of the dress and the lights of the blouse. Use a limited palette of browns, reds, and whites.

  5. step 05

    Add details to the sheep, using small brushstrokes to suggest their woolly texture. Vary the values to create depth and dimension.

  6. step 06

    Refine the details of the figure's face and hair, paying attention to the subtle shifts in value and color.

  7. step 07

    Add final details to the landscape, such as the foliage and the distant trees, using broken color to create texture and atmosphere.

  8. step 08

    Review the painting and make any necessary adjustments to the composition, color, and value.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · ultramarine blue · alizarin crimson

Mix yellow ochre and burnt umber for the field. Use ultramarine blue and white for the sky. Alizarin crimson and burnt umber will create the dress color.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·alla prima
  • ·blocking in

common pitfalls

  • →Overworking the details
  • →Ignoring the overall composition
  • →Using too many colors
  • →Not paying attention to the light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#4 round brush
  • ·#6 flat brush
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy