
plate no. 1292
Eastman Johnson, 1875
Recreating this painting will help students develop skills in creating realistic figures in a landscape and understanding how to use broken color to create texture and atmosphere. Students will also learn to simplify complex forms into basic shapes.
technical profile
approach — 8 steps
Begin with a light sketch outlining the main shapes: the figure, the sheep, the horizon line, and the basic landscape elements.
Establish the background sky and distant sea with thin washes of color, focusing on the subtle gradations of light.
Block in the large areas of color in the field, using a mix of yellows, browns, and greens. Pay attention to the direction of the brushstrokes to suggest the texture of the grass.
Start defining the figure by blocking in the darks of the dress and the lights of the blouse. Use a limited palette of browns, reds, and whites.
Add details to the sheep, using small brushstrokes to suggest their woolly texture. Vary the values to create depth and dimension.
Refine the details of the figure's face and hair, paying attention to the subtle shifts in value and color.
Add final details to the landscape, such as the foliage and the distant trees, using broken color to create texture and atmosphere.
Review the painting and make any necessary adjustments to the composition, color, and value.
color palette
primary · yellow ochre · burnt umber · titanium white
secondary · ultramarine blue · alizarin crimson
Mix yellow ochre and burnt umber for the field. Use ultramarine blue and white for the sky. Alizarin crimson and burnt umber will create the dress color.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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