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home·artworks·Feeding the Geese
Feeding the Geese by David Bates

plate no. 9158

Feeding the Geese

David Bates

oilRealismgenre paintingtreesgeesefigurelandscapestreamsky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle nuances of light and shadow in a landscape. It also provides practice in rendering organic shapes and textures, like foliage and water.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, figure, and stream.

  2. step 02

    Establish the sky with a light blue wash, blending in soft clouds.

  3. step 03

    Block in the main areas of color: greens for the foliage, browns for the tree trunks, and muted tones for the ground.

  4. step 04

    Add details to the trees, using varied brushstrokes to create texture and depth.

  5. step 05

    Paint the stream, capturing the reflections and movement of the water.

  6. step 06

    Render the figure and geese, paying attention to their proportions and details.

  7. step 07

    Refine the overall composition, adjusting values and adding highlights to create a sense of light and atmosphere.

  8. step 08

    Add final details and touch-ups to complete the painting.

color palette

primary · sap green · raw umber · titanium white

secondary · yellow ochre · cerulean blue · burnt sienna

Achieve the muted greens by mixing sap green with raw umber and titanium white. Create atmospheric perspective by adding more blue and white to distant elements.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·atmospheric perspective
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural look.
  • →Failing to establish a clear focal point, leading to a cluttered composition.
  • →Ignoring the effects of atmospheric perspective, making the background appear too sharp and defined.
  • →Using colors straight from the tube without mixing, resulting in a flat and uninteresting palette.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·odorless mineral spirits or water

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a limited palette of colors to simplify the mixing process. Consider using a toned canvas to create a more unified and harmonious painting.

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oil painting for beginners →how to learn by studying the masters →
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