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home·artworks·February. Winter Still Life
February. Winter Still Life by Francisco Barrera

plate no. 1740

February. Winter Still Life

Francisco Barrera, 1640

canvas, oilBaroquestill lifestill lifegamefoodlandscapetableanimals
experienced study

Recreating this painting will help students develop skills in rendering realistic textures and creating depth through atmospheric perspective. It also provides practice in complex composition and color mixing for a muted palette.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to the placement of the objects.

  2. step 02

    Establish the background tones, starting with the sky and then the dark wall.

  3. step 03

    Block in the main colors of each object, focusing on the overall value structure.

  4. step 04

    Begin layering and blending colors to create realistic forms and textures.

  5. step 05

    Pay attention to the highlights and shadows to create depth and dimension.

  6. step 06

    Add details such as the fur on the animals, the texture of the basket, and the reflections on the metal objects.

  7. step 07

    Refine the edges and contours of the objects to create a sense of realism.

  8. step 08

    Add final glazes to unify the painting and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use glazes of burnt umber to create shadows and depth.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·dry brushing
  • ·blending

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Overworking the colors and losing the freshness of the painting.
  • →Ignoring the importance of edges and contours.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, yellow ochre, cadmium red light, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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