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home·artworks·Feast of trumpets I
Feast of trumpets I by Aleksander Gierymski

plate no. 2167

Feast of trumpets I

Aleksander Gierymski, 1884

oilRealismgenre paintingfiguresboatswaterbuildingstreessky
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with many figures. Students will also learn to mix subtle earth tones and capture the effects of light on water.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the buildings, water, and figures.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main shapes of the buildings, boats, and figures, using simplified forms.

  4. step 04

    Begin layering in more detail, focusing on the textures of the buildings and the reflections in the water.

  5. step 05

    Mix and apply the subtle color variations in the sky and water, using soft blending techniques.

  6. step 06

    Add details to the figures, paying attention to their poses and clothing.

  7. step 07

    Refine the highlights and shadows to create depth and dimension.

  8. step 08

    Add final details, such as the rigging on the boats and the reflections in the water.

color palette

primary · burnt umber · raw sienna · titanium white · yellow ochre

secondary · ultramarine blue · cadmium yellow · ivory black

Achieve the muted tones by mixing earth tones with white and small amounts of blue or black. Create the warm glow of the sky by blending yellow ochre and white with a touch of cadmium yellow.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use a canvas with a medium texture to allow for better blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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