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home·artworks·Farmhouse Interior
Farmhouse Interior by Isaac van Ostade

plate no. 3502

Farmhouse Interior

Isaac van Ostade, 1642

oil, panelBaroqueinteriorinteriorfarmhousefigureshorselightshadow
experienced study

Recreating this painting will help students understand chiaroscuro and how to create depth using value. It also provides practice in rendering textures and depicting light sources within a dark environment.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a mid-tone brown.

  2. step 02

    Lightly sketch the main shapes and composition, focusing on the placement of the figures, horse, and architectural elements.

  3. step 03

    Establish the darkest areas of the painting using a dark brown or black.

  4. step 04

    Begin to block in the areas of light, starting with the brightest areas near the doorway and fire.

  5. step 05

    Gradually build up the mid-tones, blending the light and dark areas to create a sense of depth.

  6. step 06

    Add details to the figures, horse, and objects in the interior, paying attention to the way light falls on them.

  7. step 07

    Refine the textures of the walls, floor, and roof using dry brush techniques.

  8. step 08

    Add final highlights and shadows to enhance the contrast and create a sense of realism.

color palette

primary · burnt umber · raw umber · ivory black · titanium white

secondary · yellow ochre · raw sienna

Achieve the various browns and earth tones by mixing burnt umber, raw umber, ivory black, and titanium white. Use yellow ochre and raw sienna sparingly to add warmth to the highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brush
  • ·scumbling
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Making the dark areas too flat and lifeless.
  • →Not blending the light and dark areas smoothly enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·drying retarder
  • ·medium gloss

A toned canvas will help to unify the colors and create a more harmonious effect. Consider using a medium to thin the oil paints and improve their flow.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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