apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Farm in a wooded dune landscape
Farm in a wooded dune landscape by Jacob van Ruisdael

plate no. 6762

Farm in a wooded dune landscape

Jacob van Ruisdael

oilBaroquelandscapebuildinglandscapetreesskywaterfigure
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and rendering textures with visible brushstrokes. It also provides practice in depicting a complex landscape with a variety of elements.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the house, trees, and horizon line.

  2. step 02

    Block in the main color areas with thin washes, establishing the overall value structure.

  3. step 03

    Develop the sky with blended layers, creating depth and atmospheric perspective.

  4. step 04

    Add details to the house, focusing on the texture of the walls and roof.

  5. step 05

    Paint the foliage with varied brushstrokes, suggesting different types of vegetation.

  6. step 06

    Render the water with reflections and subtle color variations.

  7. step 07

    Add the figure and other small details to complete the scene.

  8. step 08

    Refine the overall painting, adjusting values and adding highlights.

color palette

primary · raw umber · yellow ochre · ultramarine blue

secondary · burnt sienna · titanium white · ivory black

Mix various shades of brown and green by combining raw umber, yellow ochre, and ultramarine blue. Use titanium white to lighten colors and create highlights. Add ivory black to darken shadows.

techniques

  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Creating too much contrast and flattening the image.
  • →Using colors that are too saturated and unnatural.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a toned ground to unify the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne