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home·artworks·Family Portrait of Haarlem Mayor Maerten Ruychaver and Alijd Van Der Laen in 1629 on the Occasion of Their Wedding Anniversary
Family Portrait of Haarlem Mayor Maerten Ruychaver and Alijd Van Der Laen in 1629 on the Occasion of Their Wedding Anniversary by Jan Miense Molenaer

plate no. 6492

Family Portrait of Haarlem Mayor Maerten Ruychaver and Alijd Van Der Laen in 1629 on the Occasion of Their Wedding Anniversary

Jan Miense Molenaer, 1629

oilBaroqueportraitfiguresinteriorportraitsarchitecturefurnituretextiles
experienced study

Recreating this painting will help students develop skills in portraiture, rendering fabrics and textures, and understanding complex compositions with multiple figures. It also provides practice in creating a sense of depth and perspective within an interior space.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the placement and proportions of the figures and key architectural elements.

  2. step 02

    Establish the basic values and color blocks for the background, including the wall, floor, and drapery.

  3. step 03

    Begin painting the figures, starting with the larger shapes and gradually adding details to the faces, clothing, and hands.

  4. step 04

    Pay close attention to the light source and how it affects the forms, creating highlights and shadows to define the figures and objects.

  5. step 05

    Work on the details of the furniture and other objects in the scene, adding textures and patterns to create visual interest.

  6. step 06

    Refine the colors and values throughout the painting, ensuring that the overall harmony and balance are maintained.

  7. step 07

    Add final details, such as highlights in the eyes and subtle variations in the fabrics.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of depth.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · ultramarine blue · cadmium red light · yellow ochre

Achieve the subtle variations in skin tones by mixing burnt umber, raw sienna, titanium white, and small amounts of cadmium red light. Create the darker fabrics by mixing ivory black with ultramarine blue and burnt umber.

techniques

  • ·portraiture
  • ·glazing
  • ·underpainting
  • ·chiaroscuro
  • ·rendering fabrics

common pitfalls

  • →Incorrect proportions of figures
  • →Muddy colors due to overmixing
  • →Losing the sense of depth
  • →Ignoring the light source

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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