plate no. 5030
Family meeting
Jules Trayer, 1859
study guide
est. 25 hrsapproach — 8 steps
- step 01
Begin with a light sketch to establish the overall composition and placement of figures and objects.
- step 02
Block in the main shapes and values using thin washes of color.
- step 03
Establish the light source and begin to define the areas of light and shadow.
- step 04
Start refining the details of the figures, paying attention to proportions and anatomy.
- step 05
Work on the background elements, creating depth through atmospheric perspective.
- step 06
Add details to the clothing and furniture, focusing on textures and patterns.
- step 07
Refine the highlights and shadows to create a sense of realism.
- step 08
Add final details and adjustments to complete the painting.
color palette
primary · ivory black · raw umber · burnt sienna · titanium white
secondary · yellow ochre · cadmium red light · ultramarine blue
Achieve the muted tones by mixing the primary colors with white and small amounts of the secondary colors. Use thin glazes to build up color and create subtle variations.
techniques
- ·underpainting
- ·glazing
- ·scumbling
- ·atmospheric perspective
- ·figure drawing
common pitfalls
- →Incorrect proportions of figures
- →Overworking details too early
- →Failing to establish a strong light source
- →Not creating enough depth in the background
materials
surface · stretched canvas
required
- ·stretched canvas
- ·oil paints
- ·linseed oil
- ·turpentine
- ·palette
- ·assorted brushes (round, flat, filbert)
- ·palette knife
optional
- ·medium gloss
- ·easel
- ·mahl stick
Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color scheme.
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