apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Family meeting
Family meeting by Jules Trayer

plate no. 5030

Family meeting

Jules Trayer, 1859

oil, canvasRealismgenre paintinginteriorfiguresfamilyroomtablechildren
experienced study

Recreating this painting will help students develop skills in rendering figures in a complex interior space and understanding how to create depth through atmospheric perspective and subtle value changes. It also provides practice in depicting realistic textures and details in clothing and furniture.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Establish the light source and begin to define the areas of light and shadow.

  4. step 04

    Start refining the details of the figures, paying attention to proportions and anatomy.

  5. step 05

    Work on the background elements, creating depth through atmospheric perspective.

  6. step 06

    Add details to the clothing and furniture, focusing on textures and patterns.

  7. step 07

    Refine the highlights and shadows to create a sense of realism.

  8. step 08

    Add final details and adjustments to complete the painting.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve the muted tones by mixing the primary colors with white and small amounts of the secondary colors. Use thin glazes to build up color and create subtle variations.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Incorrect proportions of figures
  • →Overworking details too early
  • →Failing to establish a strong light source
  • →Not creating enough depth in the background

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy