
plate no. 7241
Julian Ashton, 1882
Recreating this painting will help students develop skills in rendering reflections in water and creating depth through atmospheric perspective. Students will also learn to mix subtle variations of greens and browns to create a realistic landscape.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the trees, river, and hills.
Establish the sky color with a thin wash of muted color.
Block in the dark values of the trees and the river, paying attention to the shapes of the shadows.
Add the mid-tones to the hills and the foliage, gradually building up the layers of color.
Begin to define the details of the trees, adding highlights and shadows to create form.
Work on the reflections in the water, using horizontal strokes to mimic the movement of the water.
Add the finishing touches, such as the small details of the grass and the highlights on the trees.
Review the painting and make any necessary adjustments to the values and colors.
color palette
primary · viridian green · burnt umber · raw sienna
secondary · yellow ochre · titanium white · ultramarine blue
Mix greens by combining viridian green with yellow ochre or burnt umber. Create muted tones by adding a touch of ultramarine blue to browns and greens. Use titanium white to lighten values and create highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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