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home·artworks·Evening, Merri Creek
Evening, Merri Creek by Julian Ashton

plate no. 7241

Evening, Merri Creek

Julian Ashton, 1882

oilRealismlandscapetreeswaterlandscaperivergrasshills
some experience helpful

Recreating this painting will help students develop skills in rendering reflections in water and creating depth through atmospheric perspective. Students will also learn to mix subtle variations of greens and browns to create a realistic landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, river, and hills.

  2. step 02

    Establish the sky color with a thin wash of muted color.

  3. step 03

    Block in the dark values of the trees and the river, paying attention to the shapes of the shadows.

  4. step 04

    Add the mid-tones to the hills and the foliage, gradually building up the layers of color.

  5. step 05

    Begin to define the details of the trees, adding highlights and shadows to create form.

  6. step 06

    Work on the reflections in the water, using horizontal strokes to mimic the movement of the water.

  7. step 07

    Add the finishing touches, such as the small details of the grass and the highlights on the trees.

  8. step 08

    Review the painting and make any necessary adjustments to the values and colors.

color palette

primary · viridian green · burnt umber · raw sienna

secondary · yellow ochre · titanium white · ultramarine blue

Mix greens by combining viridian green with yellow ochre or burnt umber. Create muted tones by adding a touch of ultramarine blue to browns and greens. Use titanium white to lighten values and create highlights.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details too early in the painting process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·view finder

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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