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home·artworks·Evening in the Prossau near Gastein
Evening in the Prossau near Gastein by Anton Romako

plate no. 8063

Evening in the Prossau near Gastein

Anton Romako, 1877

oil, canvasRealismlandscapemountainsvalleyskytreeslandscapearchitecture
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to depict depth using value and color changes. It also provides practice in creating texture with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains and the building in the foreground using a light pencil.

  2. step 02

    Block in the sky with a thin layer of light blue-gray paint.

  3. step 03

    Establish the dark values in the foreground and the shadows of the mountains using dark brown and green mixtures.

  4. step 04

    Begin layering lighter tones on the mountains to create form and depth, paying attention to the light source.

  5. step 05

    Add the highlights on the mountain peaks using yellows and oranges.

  6. step 06

    Develop the texture of the trees and foliage with short, broken brushstrokes.

  7. step 07

    Define the structure of the building in the foreground with grays and whites.

  8. step 08

    Add final details and adjust values to create a sense of atmosphere.

color palette

primary · burnt umber · titanium white · ultramarine blue

secondary · yellow ochre · cadmium yellow · sap green

Mix various shades of brown and green by combining burnt umber, ultramarine blue, and yellow ochre. Use white to lighten values and create atmospheric haze.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·value studies

common pitfalls

  • →Overworking the details in the foreground, losing the sense of depth.
  • →Not creating enough contrast between light and shadow.
  • →Using colors that are too saturated, resulting in an unnatural look.
  • →Failing to establish a clear light source.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to enhance the brushstroke visibility.

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oil painting for beginners →how to learn by studying the masters →
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