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home·artworks·Evening
Evening by Paul Serusier

plate no. 2534

Evening

Paul Serusier, 1884

oil, canvasRealismgenre paintinglandscapesheepshepherddogfieldsky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating a sense of depth through subtle value and color changes. It also provides practice in painting soft, diffused light and rendering animal forms.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, the shepherd, and the sheep.

  2. step 02

    Establish the overall color scheme with a thin wash of diluted paint, focusing on the sky and distant hills.

  3. step 03

    Block in the main shapes of the shepherd, dog, and sheep, paying attention to their relative sizes and positions.

  4. step 04

    Begin to develop the atmospheric perspective by layering lighter, cooler tones in the distance and warmer, darker tones in the foreground.

  5. step 05

    Refine the details of the shepherd's figure and clothing, adding subtle highlights and shadows.

  6. step 06

    Add details to the sheep, using short, broken brushstrokes to suggest their woolly texture.

  7. step 07

    Paint the foreground details, such as the grass and dirt path, using a variety of brushstrokes to create texture and interest.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna

Achieve the muted tones by mixing complementary colors and adding white. Use thin glazes to build up color and create depth.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·soft blending

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too saturated and not muted enough.
  • →Failing to create a strong sense of depth and distance.
  • →Making the sheep look too uniform and lacking individual character.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a pre-toned canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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