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home·artworks·Evening after the Storm
Evening after the Storm by Homer Watson

plate no. 8877

Evening after the Storm

Homer Watson, 1887

oilRealismlandscapetreeslandscapewatercloudsfoliagesheep
some experience helpful

This painting offers a good opportunity to practice layering techniques for creating depth and mastering the depiction of foliage and water movement. Students can also learn about creating atmospheric perspective through subtle color and value shifts.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, water, and horizon line.

  2. step 02

    Establish the sky with broad strokes, blending the cloud formations.

  3. step 03

    Block in the main shapes of the trees and foliage with dark greens and browns.

  4. step 04

    Begin layering lighter greens and yellows on the foliage to create highlights and texture.

  5. step 05

    Paint the water, using white and light blues to indicate the movement and reflections.

  6. step 06

    Add details to the rocks and foreground elements, paying attention to their texture and form.

  7. step 07

    Refine the details of the sheep and the shelter.

  8. step 08

    Add final highlights and shadows to enhance the depth and realism of the painting.

color palette

primary · viridian green · raw umber · titanium white

secondary · yellow ochre · cerulean blue · burnt sienna

Mix greens by combining viridian green with yellow ochre or raw umber. Achieve the cloudy sky by blending titanium white with small amounts of cerulean blue and raw umber.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details in the foliage, resulting in a flat or unrealistic appearance.
  • →Failing to create a sense of depth through proper value and color variations.
  • →Making the water appear static or unnatural.
  • →Ignoring the subtle color shifts in the sky and clouds.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to allow for better paint adhesion and texture.

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related guides

oil painting for beginners →how to learn by studying the masters →
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