apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Escort of prisoners
Escort of prisoners by Ivan Vladimirov

plate no. 9426

Escort of prisoners

Ivan Vladimirov

oilRealismgenre paintingfiguressoldiersstreetprisonersbuildingwinter
some experience helpful

Recreating this painting will help students develop skills in depicting figures in motion and creating atmospheric perspective with a limited color palette. It also provides practice in rendering textures and details with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on the placement and proportions of the figures and the background building.

  2. step 02

    Establish the darkest values first, using a diluted wash to block in the shadows on the figures and the street.

  3. step 03

    Gradually build up the mid-tones, paying attention to the direction of light and the forms of the figures.

  4. step 04

    Add details to the figures, such as facial features, clothing folds, and weapons, using a smaller brush.

  5. step 05

    Create the background building with simple shapes and muted colors, using a dry brush technique to suggest texture.

  6. step 06

    Render the wet street surface with horizontal brushstrokes and subtle variations in value to create a sense of reflection.

  7. step 07

    Add highlights to the figures and the street to create contrast and visual interest.

  8. step 08

    Refine the details and adjust the values as needed to achieve a cohesive and atmospheric effect.

color palette

primary · raw umber · ivory black · titanium white

secondary · yellow ochre · burnt sienna

Mix raw umber and ivory black to create various shades of gray. Add titanium white to lighten the values. Use yellow ochre and burnt sienna sparingly to add warmth to the figures' clothing and skin tones.

techniques

  • ·dry brush
  • ·value studies
  • ·atmospheric perspective
  • ·figure drawing
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Creating too much contrast and making the painting look harsh.
  • →Failing to establish a clear focal point.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy