plate no. 4048
Erik Edelfelt På Sjukbädden
some experience helpful
This painting is a good exercise in capturing likeness and form using a limited palette and focusing on value relationships. It also provides practice in rendering fabric and soft textures.
technical profile
palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
4
study guide
est. 8 hrsapproach — 8 steps
- step 01
Lightly sketch the overall composition, paying attention to proportions and angles.
- step 02
Establish the darkest areas of the hair and shadows on the face and clothing.
- step 03
Begin to build up mid-tones in the skin and fabric, blending carefully.
- step 04
Refine the facial features, focusing on accurate placement and subtle value changes.
- step 05
Add details to the clothing and pillow, using short, directional strokes.
- step 06
Soften edges and blend transitions to create a sense of depth and realism.
- step 07
Add final highlights to the eyes, nose, and lips.
- step 08
Review the overall composition and make any necessary adjustments.
color palette
primary · ivory black · titanium white
secondary · raw umber
Mix various shades of gray by combining ivory black and titanium white in different ratios. Add a touch of raw umber for warmth in the skin tones.
techniques
- ·value studies
- ·blending
- ·hatching
- ·cross-hatching
- ·scumbling
common pitfalls
- →Overworking the details too early in the process.
- →Failing to establish a strong value structure.
- →Using too much contrast, resulting in a harsh or unnatural look.
- →Ignoring the subtle shifts in value and color within the skin tones.
materials
surface · stretched canvas
required
- ·stretched canvas
- ·ivory black oil paint
- ·titanium white oil paint
- ·raw umber oil paint
- ·#2 round brush
- ·#4 filbert brush
- ·palette
- ·linseed oil
optional
- ·palette knife
- ·odorless mineral spirits
- ·medium gloss
Use a smooth canvas for easier blending. Consider toning the canvas with a light gray wash before starting.
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