apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Erecting a Calvary
Erecting a Calvary by Jules Breton

plate no. 2428

Erecting a Calvary

Jules Breton, 1858

oil, canvasRealismgenre paintingfiguresprocessionchurchvillageskylandscape
experienced study

Recreating this painting will help students develop skills in painting figures in a crowd and creating atmospheric perspective to convey depth. It also provides practice in rendering textures of clothing and architectural details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the church and the procession.

  2. step 02

    Establish the horizon line and the overall perspective of the scene.

  3. step 03

    Block in the main shapes and values of the figures, using a limited palette.

  4. step 04

    Develop the background elements, such as the buildings and trees, using muted colors.

  5. step 05

    Refine the details of the figures, paying attention to their clothing and facial features.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Work on the textures of the church walls and the ground.

  8. step 08

    Add final details and adjust values to create a cohesive and atmospheric painting.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · cadmium red light

Achieve the muted tones by mixing the primary colors with white and small amounts of blue or red. Use raw umber and ivory black to create a range of grays.

techniques

  • ·atmospheric perspective
  • ·grisaille underpainting
  • ·scumbling
  • ·glazing
  • ·figure drawing

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a clear value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the atmospheric perspective and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x30
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·retouch varnish
  • ·medium gel
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy