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home·artworks·Erechtheion. The portico of caryatids
Erechtheion. The portico of caryatids by Vasily Polenov

plate no. 9280

Erechtheion. The portico of caryatids

Vasily Polenov, 1882

oil, canvasRealismlandscapearchitectureruinsskycolumnslandscapefigures
some experience helpful

Recreating this painting will help students develop skills in rendering architectural forms with light and shadow, as well as creating a sense of depth through atmospheric perspective. It also provides practice in mixing subtle earth tones and capturing the texture of aged stone.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the building and the horizon line, paying attention to proportions.

  2. step 02

    Block in the sky with a light blue, adding soft white clouds.

  3. step 03

    Establish the main light and shadow areas on the building using a mid-tone ochre or raw umber.

  4. step 04

    Mix a range of lighter and darker tones to define the architectural details and create a sense of depth.

  5. step 05

    Add the figures, focusing on their basic forms and drapery.

  6. step 06

    Paint the foreground with a mix of greens, browns, and yellows, suggesting vegetation and ground texture.

  7. step 07

    Refine the details of the building and foreground, adding highlights and shadows to create a sense of realism.

  8. step 08

    Add final touches, such as small details in the sky and subtle variations in the ground cover.

color palette

primary · titanium white · yellow ochre · raw umber

secondary · cerulean blue · burnt sienna · sap green

Mix various shades of ochre and umber with white to achieve the stone colors. Use cerulean blue and white for the sky, adding a touch of yellow ochre for warmth. Mix greens and browns for the foreground vegetation.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·broken color

common pitfalls

  • →Overworking the details of the architecture too early.
  • →Creating too much contrast, which can flatten the image.
  • →Ignoring the subtle color variations in the stone and ground.
  • →Making the figures too prominent or detailed.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·cerulean blue oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a medium texture to allow for expressive brushwork. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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