apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Entrance to the Mausoleum of Jyemiten, Nikko, Japan
Entrance to the Mausoleum of Jyemiten, Nikko, Japan by John Varley II

plate no. 7084

Entrance to the Mausoleum of Jyemiten, Nikko, Japan

John Varley II

oilRealismlandscapetreesbuildingsfigureslandscapearchitecturepath
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex forms with simplified brushstrokes. It also provides practice in capturing the essence of a scene rather than precise detail.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings and trees.

  2. step 02

    Establish the horizon line and the receding planes of the landscape.

  3. step 03

    Block in the main color masses for the sky, mountains, trees, and buildings.

  4. step 04

    Develop the foliage with varying shades of green and brown, using loose brushstrokes.

  5. step 05

    Add details to the buildings, paying attention to their architectural features.

  6. step 06

    Paint the figures with simplified forms and colors, suggesting movement and activity.

  7. step 07

    Refine the foreground with details like the path and shadows.

  8. step 08

    Add final highlights and details to create depth and atmosphere.

color palette

primary · sap green · burnt umber · cadmium red · titanium white

secondary · yellow ochre · ultramarine blue

Mix greens by combining sap green, yellow ochre, and burnt umber. Achieve the red hues of the buildings by mixing cadmium red with burnt umber and a touch of white for highlights. Use ultramarine blue and white for the sky.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking details
  • →Creating muddy colors
  • →Ignoring atmospheric perspective
  • →Incorrect proportions of buildings
  • →Failing to establish a clear focal point

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·easel
  • ·painting medium
  • ·rags

Use a medium-grain canvas for best results. Consider using a pre-toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy