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home·artworks·Enjoying the Ice near a Town
Enjoying the Ice near a Town by Hendrick Avercamp

plate no. 3018

Enjoying the Ice near a Town

Hendrick Avercamp, 1620

oilBaroquelandscapeicefiguresskytownbuildingsflags
experienced study

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering figures in a landscape setting. It also provides practice in creating a sense of depth and distance through careful color and value adjustments.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the horizon line and the basic layout of the town and figures.

  2. step 02

    Block in the sky with a thin wash of pale blues and pinks, creating a soft, diffused light.

  3. step 03

    Establish the ice surface with a base layer of cool grays and whites, varying the tones to suggest subtle undulations.

  4. step 04

    Start adding the distant buildings and figures, using muted colors and simplified shapes to create depth.

  5. step 05

    Gradually build up the details of the foreground figures, paying attention to their clothing and poses.

  6. step 06

    Add highlights and shadows to create form and dimension, using subtle gradations of color and value.

  7. step 07

    Introduce small details like flags, birds, and reflections on the ice to add interest and realism.

  8. step 08

    Refine the overall composition and adjust the colors and values as needed to achieve a harmonious and balanced effect.

color palette

primary · titanium white · raw umber · ultramarine blue · yellow ochre

secondary · burnt sienna · cadmium red light · ivory black

Achieve the muted tones by mixing complementary colors and adding white. Use thin washes for the sky and distant elements, and thicker paint for the foreground figures.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·broken color

common pitfalls

  • →Overworking the details in the background, which can flatten the sense of depth.
  • →Using colors that are too saturated, which can detract from the overall atmospheric effect.
  • →Failing to establish a clear focal point, which can make the composition feel disorganized.
  • →Ignoring the subtle variations in color and value on the ice surface, which can make it look flat and unconvincing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a fine-grained canvas to allow for smooth blending and subtle details.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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