apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Enjoying the Ice
Enjoying the Ice by Hendrick Avercamp

plate no. 4632

Enjoying the Ice

Hendrick Avercamp, 1620

oilBaroquelandscapeicefigureslandscapebuildingsskytrees
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and painting figures in a landscape setting. It will also improve their ability to create a sense of depth and distance using color and value.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of key elements.

  2. step 02

    Block in the sky with a thin wash of pale blues, pinks, and whites, blending softly.

  3. step 03

    Establish the horizon line and the basic shapes of the distant buildings and trees.

  4. step 04

    Lay in the ice surface with a base color of gray-blue, varying the tone to suggest depth.

  5. step 05

    Start adding the figures, beginning with the larger ones in the foreground and gradually decreasing in size towards the background.

  6. step 06

    Add details to the buildings, trees, and figures, paying attention to the light and shadow.

  7. step 07

    Refine the reflections on the ice, using subtle variations in color and value.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · titanium white · raw umber · Prussian blue · yellow ochre

secondary · cadmium red · ivory black · burnt sienna

Mix various shades of gray-blue for the ice by combining white, blue, and umber. Achieve the warm tones of the sky and buildings by mixing white, ochre, and a touch of red. Use thin glazes to create subtle color variations.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·figure painting
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details in the background, which can flatten the sense of depth.
  • →Using colors that are too saturated, which can detract from the overall muted palette.
  • →Making the figures too uniform in size and shape.
  • →Failing to create a convincing sense of reflection on the ice.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·Prussian blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a canvas with a fine weave for smoother blending. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne