
plate no. 7810
Francesco Ribalta, 1612
This painting provides practice in rendering figures in dramatic lighting and creating a sense of depth through value and atmospheric perspective. Students will also learn to mix realistic skin tones and depict fabric folds.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of figures and the cross.
Establish the dark background with a thin wash of dark brown or black.
Block in the main light areas on the figures, using a mid-tone base.
Begin adding highlights and shadows to sculpt the forms, paying attention to the light source.
Refine the details of the faces, hands, and clothing folds.
Paint the cross, using light and shadow to create a sense of volume.
Add subtle details to the background landscape.
Glaze with thin layers of color to unify the painting and enhance the depth.
color palette
primary · burnt umber · raw sienna · ivory black · titanium white
secondary · cadmium red · yellow ochre
Mix skin tones using burnt umber, raw sienna, and white, with small amounts of red or yellow ochre for warmth. Create shadows by adding black or burnt umber to the base skin tone. Use thin washes of color to create depth and atmosphere.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a smooth surface for easier blending. Consider using a medium to thin the oil paints and improve flow.
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