apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Emperor Maximilian I
Emperor Maximilian I by Peter Paul Rubens

plate no. 5574

Emperor Maximilian I

Peter Paul Rubens

oilBaroqueportraitportraitarmorfigurehelmetskylandscape
experienced study

Recreating this painting will help students develop skills in rendering metallic surfaces and complex textures, as well as understanding light and shadow to create depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and armor.

  2. step 02

    Establish the background sky and landscape with broad strokes.

  3. step 03

    Block in the main colors of the armor, drapery, and skin tones.

  4. step 04

    Begin to define the forms of the armor with highlights and shadows, paying attention to the metallic sheen.

  5. step 05

    Add details to the face, including the eyes, nose, and mouth.

  6. step 06

    Refine the details of the armor, including the intricate patterns and embellishments.

  7. step 07

    Add final highlights and shadows to create a sense of depth and realism.

  8. step 08

    Glaze with thin layers to adjust colors and values.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red

secondary · yellow ochre · ultramarine blue · cadmium yellow

Achieve the metallic sheen by mixing white with small amounts of black, umber, and yellow ochre. Use glazes of ultramarine blue and burnt umber to create shadows and depth.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering metal
  • ·portraiture

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Failing to capture the metallic sheen of the armor.
  • →Overworking the details and losing the overall sense of form.
  • →Not creating enough contrast between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne