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home·artworks·Emmanuel-Théodose De La Tour D'auvergne, Cardinal De Bouillon
Emmanuel-Théodose De La Tour D'auvergne, Cardinal De Bouillon by Giovanni Battista Gaulli

plate no. 6703

Emmanuel-Théodose De La Tour D'auvergne, Cardinal De Bouillon

Giovanni Battista Gaulli

oilBaroqueportraitportraitfigurecardinalclothingchairdrapery
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and depicting the textures of fabrics like velvet and lace. It also provides practice in capturing the likeness of a subject and creating a sense of depth through value and color.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure and chair.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Begin refining the skin tones, using subtle color variations to create a realistic effect.

  4. step 04

    Work on the drapery, paying attention to the folds and highlights to convey the texture of the fabric.

  5. step 05

    Add details to the clothing, including the lace and other embellishments.

  6. step 06

    Paint the chair, focusing on the gold details and the play of light and shadow.

  7. step 07

    Refine the background, ensuring it complements the figure and doesn't distract from the focal point.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · burnt sienna · cadmium red · ivory black

secondary · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, burnt sienna, and a touch of cadmium red. Use ultramarine blue to cool down shadows. Mix red and black for the darker reds in the drapery.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure early on.
  • →Getting lost in details before establishing the overall form.
  • →Inaccurate proportions in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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